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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
137 episodes
by The Legend Chuck Dixon
A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
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A tiny thumbnail of the cover art for the comics series The Sidewinders
The Sidewinders
84 episodes
by The Legend Chuck Dixon
The Legend Chuck Dixon explores the Wild West, with epic tales of gunfighters, frontier justice, savage Indian tribes, and even more savage outlaws.
37838 views2036 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
78 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series FULLSTRIKE!
FULLSTRIKE!
40 episodes
by Cliff Cosmic
Duster Fullstrike is the master of The Explosive Punch. He'll take on any dangerous job, so long as you can pay him with a secret technique.
44928 views3522 likes
A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
70 episodes
by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26287 views1535 likes
A tiny thumbnail of the cover art for the comics series Right Ho Jeeves
Right Ho Jeeves
64 episodes
by The Legend Chuck Dixon
RIGHT HO, JEEVES tells of the travails of the inimitable Bertie Wooster, who is summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia. Love is in the air and Wodehousian shenanigans are afoot, as Wooster is not the sole guest at the manor, which is also playing host to the fairy-gazing Madeline Basset as well as the famous newt-fancier Augustus Fink-Nottle. Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz.
66417 views11360 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16904 views844 likes
A tiny thumbnail of the cover art for the comics series The Stranded
The Stranded
47 episodes
by The Legend Chuck Dixon
Presented in color for the first time and with its original title. Re-titled to the clunky TIME-JUMP WAR by the publisher, this sci-fi mini series has not been seen since the 1980's. The epic, eons-spanning story features terrific art by my Argentinos amigo Enrique Villagran.
101482 views10244 likes
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
137 episodes
by The Legend Chuck Dixon
A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
80000 views9964 likes
A tiny thumbnail of the cover art for the comics series The Sidewinders
The Sidewinders
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37838 views2036 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
78 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
15337 views479 likes
A tiny thumbnail of the cover art for the comics series FULLSTRIKE!
FULLSTRIKE!
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Duster Fullstrike is the master of The Explosive Punch. He'll take on any dangerous job, so long as you can pay him with a secret technique.
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Through the floating branches, Eibhlin saw a monk standing in the doorway of the monastery. His umber habit blended into the dark, but the white cord around his waist, his shaved head, and his silver-streaked beard caught the light and almost glowed. He stepped out over to the tree. Taking a tendril tenderly between his fingers, he said, “Though she is dangerous, like the Fae itself, I hope you don’t misunderstand this tree. Just as beauty does not always mean safety, so too does danger not always mean evil. This tree protects us and calls to those who are lost, guides them here, where they can find shelter and direction. And I see by your face, child, that she is calling you.”


“But I’m not lost,” said Eibhlin.


“Is that so?” said the monk with a knowing smile. “Well, then I must warn you, for then this tree’s pull shall be all the stronger, for the lost are not the only ones she calls.”


“Who else does she call?” asked Eibhlin, feeling the tree’s leaves brush against her cheek.


“Those who wish to enter the Fae,” said the monk.


Eibhlin’s chest tightened. “But… but I don’t want to go there.”


The monk stared at Eibhlin with dark eyes that made her wish the wind would stop breaking the silver wall between her and the old man. She gripped her kirtle, feeling the keys beneath. In one sense… perhaps she did want to enter the Fae Realm. After all, she had to find Mealla, and if that meant going into the Fae, then so be it. Though she had grown up as a witness of fairy mischief, Eibhlin had never feared fairies and their country. But now….


Eibhlin shivered as she remembered Vi.


She said, “No, I don’t want to enter the Fae. I don’t want to go there, but I have to. Though not here. Not now. Here, now, I would get lost. I must find a different way.”


“I see,” said the monk. “If that is your road, I mustn’t stop you but rather help you on your way. And for that, would you like some rest, dear daughters? I told you, all who come to this tree are guided, whether because they are lost or because the Fae calls to them, and all who come to this monastery are welcome. Come. Eat. Sleep. Tomorrow, we shall see how my sons and I can help you find your way.”


“Your sons?”


“Yes. I am Ormulf, abbot of this monastery,” replied the monk.


“Oh! I-I didn’t realize… um, honorable sir”


The abbot chuckled. “No need for such formality. While you’re here, I am your father.”


At his words, memories of her own father’s anger before she left came into Eibhlin’s mind, but she held her discomfort inside. Outwardly, she said, “Okay. Thank you, Father Abbot.”


He led her into the monastery, saying, “Please be careful on the steps. I apologize. I didn’t have time to light a lamp after I realized you were outside. I worried the tree might tempt you too far if I didn’t hurry. If you will just wait here, I shall go fetch a lam-”


“Father Abbot.”


Eibhlin couldn’t be sure due to the shadows, but she thought that, for a moment, the good father’s smile stiffened. However, the impression passed, and he turned to address another monk carrying a small oil lamp so that the newcomer seemed enveloped in a halo, like the painted saints Eibhlin saw in her village church.


“Brother Callum. We have prayers in just a few hours,” said the abbot. “You should be sleeping.”


The man answered, “Father, the wind kept my mind awake, though my body wished to sleep. In hopes of bringing peace to my thoughts and heart, I rose to pray. Then, I heard voices in the courtyard, and my curiosity overcame me. I apologize.”


“No, don’t be sorry, my son,” replied the father. “If restlessness holds you, then you can help us. This child shall stay the night. Would you go prepare a light meal and ensure the guest room is ready?”


“Yes, Father Abbot.”


The monk’s sandals padded against the stone floor, echoing as he left. The abbot addressed Eibhlin again, “Brother Callum, a good man and no stranger to the order. He was an orphan found and raised by my predecessor and joined the order at an early age. I do fear he is a bit on the overzealous side.”


“He seemed fine,” said Eibhlin.


The abbot only smiled.


The meal was indeed light, just a cup of goat milk and a bit of bread and cheese, but the nearby fire warmed Eibhlin’s bones, and she hadn’t had milk since she had left home. She nibbled her bread as she watched the flames crackle in the hearth. In the back of her mind, she heard the abbot call her but hadn’t understood what he said. She asked for his question again.


“I asked for what reason you’ve come here, my child. By your speech, I know you are of the southern countries, and yet you have come to this place. Perhaps you would tell me why?” said the abbot.


Eibhlin shifted in her seat. Somehow, the way he called her “child” felt so different from Yashul. What was more, the desire to speak the truth bubbled up in Eibhlin, but something twisting in her chest prompted her to choose her words carefully, though she didn’t know why. “I… I am a traveler. As you say, I’m not from here. My home is in Enbár.”


“So far?” Abbot Ormulf said. “What business could a daughter of the green hills have in the Northlands?”


The conflict in her soul returned. She felt urged toward truth, but the strange feeling halved her honesty. “I have relatives up here. My mother came from one of the merged towns, the mining towns where humans and dwarves work together.”


Again, the priest appeared shocked. “One of the merged towns? Near or away from the sea? Near? My child, you have wandered far from your course if you traveled to here from Enbár attempting to reach one of those towns.”


“It wasn’t a direct trip,” Eibhlin said. “I had some other business to take care of, which I did before coming here. I’m just passing through, and really, I need to be on my way tomorrow. As you said, I’ve still got some distance to go.”

The Monks panel 2
Fairy Door series cover
The Monks episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
author avatar placeholder
V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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250 views • 16 likes • 0 comments
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